This is a first step , and this does not mean other denning chronological sequence. This is the first cave on the eastern asvanala shaped shield. According to Spink, is one of the last caves built on the spot, and the expiration of the period of Vakataka phase. However, there is no epigraphic evidence, however, is also believed to be the king Vakataka Harisena, protectors of the best preserved cave. A dominant reason for this is that Harisena arambhamam was not included in the defense of Ajanta, but lamba longer than this could not remain separated, as the site was filled with activity under his rule, and his Buddhist nation and the sacred work of the Hindu king could be glad of the shelter. Besides many theme shown here.
In the cave, very detailed carving has been working, in which many highly ubharela sculpture. This dual stambhi porch, which was the scene until the nineteenth century (then citranusara), it is already now extinct. Next to the cave was an open space, the corridor on which both khambhedara. This level was relatively high. Be the entrance to the room side of the pavilion. Shows the absence of pillared khambhedara Cells, that the porch was not with the last phase of Ajanta when khambhedara vestibules had become a regular part. Most areas of the porch, sometimes with murals, which many relics still remaining. Here are three entrance paths, one central and two shore. Two square windows were carved between the dvarapathom to bring inner brighten.
Each wall of the building is about 40 feet long and 20 high. It is a square koloneda within the time column, which makes it more like a corridor along the walls, as well as giving support to the roof. The rear image like a deep impression on the wall of the sanctuary, in which the Buddha is shown dharmachakrapravartana Appeared in his posture. Behind, left and right walls built four cells. The walls are filled with paintings, which are excellent conservation state. The scenes depicted are mostly didactic, religious, and embellishments. Subject to the Jataka stories, the life of Gautama Buddha adithi concerned.
In the cave, very detailed carving has been working, in which many highly ubharela sculpture. This dual stambhi porch, which was the scene until the nineteenth century (then citranusara), it is already now extinct. Next to the cave was an open space, the corridor on which both khambhedara. This level was relatively high. Be the entrance to the room side of the pavilion. Shows the absence of pillared khambhedara Cells, that the porch was not with the last phase of Ajanta when khambhedara vestibules had become a regular part. Most areas of the porch, sometimes with murals, which many relics still remaining. Here are three entrance paths, one central and two shore. Two square windows were carved between the dvarapathom to bring inner brighten.
Each wall of the building is about 40 feet long and 20 high. It is a square koloneda within the time column, which makes it more like a corridor along the walls, as well as giving support to the roof. The rear image like a deep impression on the wall of the sanctuary, in which the Buddha is shown dharmachakrapravartana Appeared in his posture. Behind, left and right walls built four cells. The walls are filled with paintings, which are excellent conservation state. The scenes depicted are mostly didactic, religious, and embellishments. Subject to the Jataka stories, the life of Gautama Buddha adithi concerned.
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