The number of fires in the cave to cave No. 1 -2 , walls, ceilings and columns is famous for its preserved painting.
Vane
The cave has two porch, which is very different from No. 1. Although the facade carvings seem to be different. The cave resort offers two thick columns, which heavy ornate carvings. Yes, the shape, size and ground plan have often been the first cave.
The porch
Prakosthothi against the porch's columns containing either side. After being left empty venues must be built rooms on the east, the requirement made of the latter because of the increased need for more housing. Vakataka all subsequent productions, Porch has become an essential part of the end of the forearm. Mural paintings on the ceilings and walls have been built on the release of significant amounts. This is another profound truth of the stories of the former as the Bodhisattva of the Buddha was born. Porch behind a gate-path between the wall, which is the entrance hall. Be the square toward the door wide windows, which provides abundant light. With beauty and brings the sammiti.
Hall
Hall has four koloneda, which allows to support roofs and surrounded by a square between Hall. Each arm is parallel to the wall koloneda class. Up and down the stone slab of koloneda. The beauty of the slabs, which is a business entity over the urn, and human, animal, and divine padapiya ornate.
Painting
Leaving the land in the caves found pictures everywhere. Human intervention and the lasting impact of the loss of a lot of pictures of emaciated below. Many wall paintings and started to leave the crust on the roof. Pictures Jataka Tales passage, which is important for understanding pipasuoni, it has been painted on the wall. They have been drawn up to deliver didactic che Buddha's teachings and those of society in their life. Their position is that Christians need to read descriptions to walk with it running and looking the picture. Although these paintings has been barred from entering the caliomam khatasavadiyaothi. The narrative picture is still not coming after another in a linear order. You must then rediscovered their identity by e-Dieter C. singalopha main topic of research in 1819, which has increased our knowledge.
Some time the art was erroneously considered fresco. Apene now know that this type of mural painting. Known as Fresco painting method is not used here. These murals are some weird things in the history of South Asian art.
Paired passed many beat the painting. The first stage chisel the rock surface and rough creations so as to hold the slurry (plaster). The Garo mati ghasa dung and made of limestone mixed. The proportion of these substances varies Caves Caves. When the plaster was still wet, the drawings were done on her. Various kinds of stones, minerals, and plants were making to prepare different colors. After the pictures stucco had the ingredients so that it meets calakate lagadato coatings. Stucco had the ingredients of lime and seashell or conch. The latter shiny smooth surface. No. 6 can also be seen today in the cave above it. The smooth surface of the glass. Brush used for painting were made from animal hair and twigs
Vane
The cave has two porch, which is very different from No. 1. Although the facade carvings seem to be different. The cave resort offers two thick columns, which heavy ornate carvings. Yes, the shape, size and ground plan have often been the first cave.
The porch
Prakosthothi against the porch's columns containing either side. After being left empty venues must be built rooms on the east, the requirement made of the latter because of the increased need for more housing. Vakataka all subsequent productions, Porch has become an essential part of the end of the forearm. Mural paintings on the ceilings and walls have been built on the release of significant amounts. This is another profound truth of the stories of the former as the Bodhisattva of the Buddha was born. Porch behind a gate-path between the wall, which is the entrance hall. Be the square toward the door wide windows, which provides abundant light. With beauty and brings the sammiti.
Hall
Hall has four koloneda, which allows to support roofs and surrounded by a square between Hall. Each arm is parallel to the wall koloneda class. Up and down the stone slab of koloneda. The beauty of the slabs, which is a business entity over the urn, and human, animal, and divine padapiya ornate.
Painting
Leaving the land in the caves found pictures everywhere. Human intervention and the lasting impact of the loss of a lot of pictures of emaciated below. Many wall paintings and started to leave the crust on the roof. Pictures Jataka Tales passage, which is important for understanding pipasuoni, it has been painted on the wall. They have been drawn up to deliver didactic che Buddha's teachings and those of society in their life. Their position is that Christians need to read descriptions to walk with it running and looking the picture. Although these paintings has been barred from entering the caliomam khatasavadiyaothi. The narrative picture is still not coming after another in a linear order. You must then rediscovered their identity by e-Dieter C. singalopha main topic of research in 1819, which has increased our knowledge.
Some time the art was erroneously considered fresco. Apene now know that this type of mural painting. Known as Fresco painting method is not used here. These murals are some weird things in the history of South Asian art.
Paired passed many beat the painting. The first stage chisel the rock surface and rough creations so as to hold the slurry (plaster). The Garo mati ghasa dung and made of limestone mixed. The proportion of these substances varies Caves Caves. When the plaster was still wet, the drawings were done on her. Various kinds of stones, minerals, and plants were making to prepare different colors. After the pictures stucco had the ingredients so that it meets calakate lagadato coatings. Stucco had the ingredients of lime and seashell or conch. The latter shiny smooth surface. No. 6 can also be seen today in the cave above it. The smooth surface of the glass. Brush used for painting were made from animal hair and twigs
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