Odyssey
Odissi is a dance of eight classical dance forms of India. Eastern Indian state Orissa or Odisha is the origin of this dance. Based on archaeological evidence, this dance is the oldest dance form of India. The genetic treatise on Indian dance, Natya Shastra, calls it "Oudra-Magadhi". The first-century murals of the Dhawal Giri near Bhubaneshwar show evidence of the ancient being of this dance. In the British Raj, this dance was trampled but after independence this dance was revived.
The main thing to separate this dance from other Indian classical dance is the significance of the "triangular" in this dance. Trianghey Aatl three pieces (broken) The triangular whole head, throat, and pelvis, each of the free radicals from each other, and the quadrangle known as Chaoua.
Origins and history
The most beautiful figure of the Odyssey dance comes from the Mufti of Guchamma in Udaygiri, which was carved in the times of King Kharwela. In it, the king sitting between two queens is watching this dance which dancers dance with other female instrumentalists. Thus Odyssey dance was a secular dance. Later it was mixed with the temple culture of Odisa. Starting from the Jagannath temple of Puri, it was displayed in every Saiva, Vaishnav and Shakta (Shakti) temple of Odisa. In a single inscription, Vernon Mali has come to know that Deosasi Kurpurshi was very influenced by the Buddhist monastery, and he danced with his mother and grandmother. Thus, it turns out that Odissi dance began as a courtesy dance. Later on it was performed in all religious places including Jainism and Buddhist monastery. Initially, Odissi dances were made to please Lord by 'Mahare' who dedicate their entire lives to Lord's service. This dance has a lot of resemblance with sculptures coming to Mali in the sculpture of the Indian temple.
Temple history
Jain caves near Bhubaneswar, which is about the second century AD, was also the Raj Mahal of Rara Kharvela. The scholars say that the ancient Odissi is an ancient dance of India. Apart from this Sun Temple of Konark and Brahmeshwar Temple in Bhuvaneshwar are also found in this dance dancer and sculpture muli of the famous car.
There are also some sculptures found on the wall of the 6-9 Century Buddhist caves that have been excavated in Odisha, whose posture is found in Odissi dance. In the Tantric temple of Hirapur, some Yoghinis, which are shown in the posture, are found in the present Odyssey dance postures. When Odissa became the main center of the worship of Lord Shiva, Odissi dance started getting prominence, it is obvious that Lord Shiva is God of the Self. He is Nataraja, the world's king of dance. Shiva temples of Bhuvaneshwar show many sculptures in Odyssey posture. On the walls of Vaishnav temple like the Jagannath Temple and Konark temple, sculptures are also seen in Odissi dance posture, which shows that this dance has been given prominence in the Vaishnava tradition.
Fire proof
Nritya Shastra, written by Bharat Sage in the second century, describes four types of activity: Avanti, Dakshinatya, Panchali and Orda Magadhi and the preparations where it can be used. Some scholars consider the use of Orda Magadhi in the context of the current Odyssey dance. According to Maheshwar Mahapatra, a book named Abhinay Chandrika contains various movement variations of foot and hand, standing posture and dance information. It also provides information about the tax information described in the theatrical book.
Shilp Prakash is a description of the architecture of Udia in Pandilpi; It is also a sculpture of architecture with sculpture and Odissi dance motifs. In this text, we have been explained in the elaborate engraving of other women's sculptures.
An incredible source, Jain Pandulipi, especially Kalpasutra and Kalacharacharya stories also mention the light of Odissi dance, though their form is believed to have been done in Gujarat. Devasasampada Kalpasutra (1507, Jamnagar) also mentions property, trianguli and ashuka. This shows that there was a lot of migration between the East and West area. Some history cars believe that in Gujarat, a group of dancers from Andhra and Andhra were brought together.
Mughal and British era
During the Mughal rule in India, the Maharis moved from the temple and moved to the entertainment of the Raj family and the Raj Darbar.
Odissi is a dance of eight classical dance forms of India. Eastern Indian state Orissa or Odisha is the origin of this dance. Based on archaeological evidence, this dance is the oldest dance form of India. The genetic treatise on Indian dance, Natya Shastra, calls it "Oudra-Magadhi". The first-century murals of the Dhawal Giri near Bhubaneshwar show evidence of the ancient being of this dance. In the British Raj, this dance was trampled but after independence this dance was revived.
The main thing to separate this dance from other Indian classical dance is the significance of the "triangular" in this dance. Trianghey Aatl three pieces (broken) The triangular whole head, throat, and pelvis, each of the free radicals from each other, and the quadrangle known as Chaoua.
Origins and history
The most beautiful figure of the Odyssey dance comes from the Mufti of Guchamma in Udaygiri, which was carved in the times of King Kharwela. In it, the king sitting between two queens is watching this dance which dancers dance with other female instrumentalists. Thus Odyssey dance was a secular dance. Later it was mixed with the temple culture of Odisa. Starting from the Jagannath temple of Puri, it was displayed in every Saiva, Vaishnav and Shakta (Shakti) temple of Odisa. In a single inscription, Vernon Mali has come to know that Deosasi Kurpurshi was very influenced by the Buddhist monastery, and he danced with his mother and grandmother. Thus, it turns out that Odissi dance began as a courtesy dance. Later on it was performed in all religious places including Jainism and Buddhist monastery. Initially, Odissi dances were made to please Lord by 'Mahare' who dedicate their entire lives to Lord's service. This dance has a lot of resemblance with sculptures coming to Mali in the sculpture of the Indian temple.
Temple history
Jain caves near Bhubaneswar, which is about the second century AD, was also the Raj Mahal of Rara Kharvela. The scholars say that the ancient Odissi is an ancient dance of India. Apart from this Sun Temple of Konark and Brahmeshwar Temple in Bhuvaneshwar are also found in this dance dancer and sculpture muli of the famous car.
There are also some sculptures found on the wall of the 6-9 Century Buddhist caves that have been excavated in Odisha, whose posture is found in Odissi dance. In the Tantric temple of Hirapur, some Yoghinis, which are shown in the posture, are found in the present Odyssey dance postures. When Odissa became the main center of the worship of Lord Shiva, Odissi dance started getting prominence, it is obvious that Lord Shiva is God of the Self. He is Nataraja, the world's king of dance. Shiva temples of Bhuvaneshwar show many sculptures in Odyssey posture. On the walls of Vaishnav temple like the Jagannath Temple and Konark temple, sculptures are also seen in Odissi dance posture, which shows that this dance has been given prominence in the Vaishnava tradition.
Fire proof
Nritya Shastra, written by Bharat Sage in the second century, describes four types of activity: Avanti, Dakshinatya, Panchali and Orda Magadhi and the preparations where it can be used. Some scholars consider the use of Orda Magadhi in the context of the current Odyssey dance. According to Maheshwar Mahapatra, a book named Abhinay Chandrika contains various movement variations of foot and hand, standing posture and dance information. It also provides information about the tax information described in the theatrical book.
Shilp Prakash is a description of the architecture of Udia in Pandilpi; It is also a sculpture of architecture with sculpture and Odissi dance motifs. In this text, we have been explained in the elaborate engraving of other women's sculptures.
An incredible source, Jain Pandulipi, especially Kalpasutra and Kalacharacharya stories also mention the light of Odissi dance, though their form is believed to have been done in Gujarat. Devasasampada Kalpasutra (1507, Jamnagar) also mentions property, trianguli and ashuka. This shows that there was a lot of migration between the East and West area. Some history cars believe that in Gujarat, a group of dancers from Andhra and Andhra were brought together.
Mughal and British era
During the Mughal rule in India, the Maharis moved from the temple and moved to the entertainment of the Raj family and the Raj Darbar.
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